This approach to drumming and music in general as a holistic experience is what makes his style and the records he has been involved with so timeless. He also adds subtle fills to help the transition between vocal phrases, while his hi-hat accents emphasise Gaye’s embellishments. Instead, he adds aspects to his drum pattern only as the song builds momentum. Gadson doesn’t even use his snare drum for the first quarter of Marvin Gaye’s classic I Want You (below). There are the Keith Moon-like long fills and rapid-fire ghost notes but they are always the bookend to periods of minimal groove rather than the main course. With Dyke & the Blazers, we hear some of Gadson’s busiest ‘look at me’ drumming (see video below). To achieve longevity and consistently be the driving force behind artists from every era to achieve both pop stardom and critical acclaim, you must choose your spots with musicality in mind. He just uses them to make a song the best it can be, something which sets him apart from his peers during a period of excess in music. Gadson might focus on subtlety over flashiness, but make no mistake – he has chops. Withers wrote some of the most depressing lyrics of the ‘60s but was still a gigantic popstar known for his catchy tunes. Not bad considering it would later be the key sample and inspiration for the greatest song ever written (see below). In Grandma’s Hands, he dances around the beat constantly, giving the song a bounce that alters every other aspect of it. In Bill Withers’ Use Me (above), Gadson’s kick drum is unwavering while his hi-hats and rimclicks are often fractionally behind or ahead of the beat.
SAMPLE MAGIC MIDI ELEMENTS FUTURE MELODICS HOW TO
“I have to figure out how to make it human.” “I can’t make you move if I’m not in control of what I’m doing,” Gadson tells Melodics. It’s a subtle way to bring a song to life, and an idea that would eventually be adopted by groundbreaking artists like J Dilla and Flying Lotus.
He’s able to drift in front and behind the beat in a way that makes it sound more natural– and in turn more fun to move to. His approach is grounded in groove, restraint and a pure focus on making the song the best it can possibly be rather than making his part of it the most impressive it can be.Ī key aspect of Gadson’s style is his use of groove, a nebulous idea of playing certain beats in a pattern very slightly off of the quantised beat. Gadson’s drumming style is both the reason why he may not be a household name and the reason he has likely been played in your household regularly for six decades. Yet he’s played on more hits than them and any other drummer you can name combined. James Gadson doesn’t really have one ‘thing’ like those guys above. Meg White has power that makes a two piece sound gigantic somehow. Keith Moon played in such a maniacal way that entire songs were often one big fill that never ended. When drummers become somebody that everyone knows the name of, it tends to be because of one dominant aspect of their playing style that is so in your face you just can’t miss it.
The demo contains drum samples not included in the pack. Please note: this collection contains Spire presets, synth loops and MIDI only. Served in Wav, Apple Loops and Rex2 format, we’ve got all bases covered.
SAMPLE MAGIC MIDI ELEMENTS FUTURE MELODICS PATCH
Each MIDI is named to match an associated Spire patch but all files can be mixed and matched at will to create your own unique sound.įinally, we’ve also expertly mixed and processed each MIDI file into pristine 24-bit audio loops to drop instantly in your tracks. Locked and loaded with fat ’n’ funky FM bass, stacked portamento synths, anthemic arpeggios, neo-retro chords, wide pads and slick sequences it’s an of-the-moment arsenal of synth firepower for Reveal Sound’s Spire.Īnd to spark your inspiration we’ve also bundles in 90 key-labeled MIDI workouts covering basslines, arpeggios, leads, chord progressions, pad sections and synth sequences. Belt & Wezol, Oliver Heldens and Twoloud, then is this the pack for you. If you’re inspired by the sounds of Don Diablo, EDX, Mr.
The ultimate melodic injection for future house anthems: 101 super-charged Spire patches and 90 MIDI motifs. Sample Magic SM101 Future House Melodics WAV MiDi REX AiFF Spire-AUDIOSTRiKE | 244 MB
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